This is an HTML version of an attachment to the Freedom of Information request 'The National Archives decision to phase out the OPSI and HMSO brand by 2011'.
 
 
 
 

Information Fair Trader Scheme 
Verification of commitment to information fair trading 
 
 
 
 
The National Archives 
December 2007  
Unlocking the potential of public sector information 
 
1

 PART ONE: INTRODUCTION 
3 
PART TWO: ACTIVITIES CARRIED OUT BY THE VERIFICATION TEAM 
7 
PART THREE: HIGHLIGHTS AND AREAS FOR IMPROVEMENT 
9 
APPENDIX ONE: SUMMARY OF RECOMMENDED ACTIONS 
17 
APPENDIX TWO:  LICENCE REVIEW 
19 
APPENDIX THREE: WEBSITE REVIEW 
29 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Visit: 7th and 10th of December 2007 
© Crown copyright 2008 
 
 
2

PART ONE: INTRODUCTION  
 
Information Fair Trader Scheme 

1. The Information Fair Trader Scheme (IFTS) is the best practice 
model for public sector bodies wishing to demonstrate compliance 
with the Re-use of Public Sector Information Regulations 2005. IFTS 
ensures that re-users of public sector information can be confident 
that they will be treated reasonably and fairly by public sector 
information providers.  
2.    IFTS is also the mechanism by which the Control er of Her Majesty’s 
Stationery Office (HMSO) regulates those Crown bodies with a 
delegation to administer their own licensing. All such bodies with a 
delegation must remain accredited to the Scheme.  IFTS is also open 
to most public bodies to join voluntarily. 
3.   The National Archives does not have a delegation and as an archive, 
is exempt from the Re-use of Public Sector Information Regulations 
2005.   
4. Following the merger of the Office of Public Sector Information 
(OPSI) with The National Archives, the Controller of HMSO and the 
Chief Executive of The National Archives recognise that The National 
Archives should demonstrate a high level of commitment to IFTS 
principles, and as such join the scheme as a voluntary member.   
5.   OPSI is exercising the independent regulatory function assigned by 
the Controller of HMSO when verifying The National Archives.  The 
verification looks at commercial licensing as an autonomous activity, 
not The National Archives as a whole.   
6.  To be accredited to IFTS, an organisation will:  
o  make a commitment to the IFTS principles;  
o  see the commitment successfully independently verified; and 
o  investigate complaints that the commitment has not been met.  
 
7.  Once a Chief Executive has declared the commitment, the underlying 
administrative and decision-making processes of the organisation are 
examined to verify that they support the Information Fair Trader 
commitment.  
8. This report shows the findings and conclusions of OPSI’s IFTS 
verification of The National Archives. 
 
 
 
 
 
 
3

 
The Business of The National Archives 
9.  The National Archives is a non-ministerial government department 
and an executive agency of the Ministry of Justice with approximately 
600 staff.  It brings together the Public Record Office, the Historical 
Manuscripts Commission, the Office of Public Sector Information and 
Her Majesty’s Stationery Office.    
 
10. The vision of The National Archives, as the official archive of UK 
government, is to lead and transform information management; 
guarantee the survival of today's information for tomorrow and bring 
history to life for everyone. The National Archives holds over 900 
years of records, ranging from parchment through to digital files and 
archived websites.   
 
11. ‘Providing a practical framework of best practice for opening up and 
encouraging the re-use of PSI’ is part of the mission statement for 
The National Archives. The National Archives has the lead across 
government on information management and is seen as a world 
leader in setting standards in improving access to information.   
 
 
 
Licensing Activity at The National Archives  

 
12. Much of the material that The National Archives deals with is Crown 
copyright for which the copyright is waived or the duration of 
copyright has expired.   Trading in information, The National Archives 
relies on its right to reproduce records under the Public Records Act 
when entering into a contract to allow for the reproduction of the 
material. Where the copyright material is held by a third party, The 
National Archives states that permission from the copyright holder 
must be sought prior to re-use and provides the contact details of the 
copyright holder on request.    
 
13. 
Income from licensing for 2006-2007 amounted to £710,000, 
representing 1.6% of The National Archives’ overall income.  The 
National Archives’ executive agency agreement states that revenue 
raising activities, linked to the archives’ vision, should continue to be 
developed.  This is to generate additional income to the central 
funding received for limited capital and running costs expenditure.   
 
14. Business Development is the revenue generating arm of The National 
Archives. Within Business Development, the licensing team are 
responsible for all licensing activity at The National Archives. 
Revenue generating activities also comprise of publishing, marketing, 
the image library and retail functions.   
 
 
4

15. 
The National Archives’ overall goal is to widen access to the 
information it holds. As part of this access agenda, The National 
Archives is undertaking an ongoing project to digitise the most 
popular requested records. The outcomes of this project are that 
trading services have been brought to full cost recovery and as many 
as possible of The National Archives most popular records are 
available online. 
 
16. There are two methods of charging for licensing at The National 
Archives.   In the case of reproduction fees charged by the image 
library, the physical copying and supply costs are contained in the 
statutory instrument, Public Records Office (Fees) Regulations 2005.  
For digitised records, royalties are based on the relevant industry 
benchmarks for commercial use which are set at a standard 
percentage rate for data supply. 
 
17. 
Licensees and re-users range from stationery companies, gift 
merchandise companies, home ware and ceramics companies, 
publishers, academics, museums, exhibition centres, documentary 
and media  companies, and web users.  
 
18. The National Archives has developed five non-exclusive licences for 
re-use, dependent on the specific end use of the information.  These 
licences are: 
 
o  the  standard non-exclusive licence; 
o the 
digitisation 
licence; 
o  the online only licence (internet delivery); 
o  the educational use (academic) licence); and 
o  the merchandising product licence. 
 
19. The Licensed Internet Associateship (LIA) is the licence issued for 
the ongoing large scale record digitisation project.  This is a licence to 
digitise extensive datasets such as census or genealogical data.  This 
is achieved through partnerships with private digitisation companies 
which incur the full cost of digitisation.  The National Archives gives 
the private partners exclusive onsite access rights during digitisation. 
Following completion, the co-branded non- exclusive digitised records 
are linked to The National Archives website via the partnership 
website and can be re-used by other internet users. 
 
20. The National Archives has separate licences for merchandising and 
academic licensing due to the different industry standards for these 
specific markets.  
 
 
 
 
 
 

 
5

Overall Assessment 
 
21. The National Archives’ overall vision to maximise access to the 
information it holds is to be commended.  The verification team also 
found several examples of good practice to report, for instance that 
The National Archives delivers a high level of customer service and 
satisfaction and actively seek feedback from licensees. The 
recommendations in this report will further raise the standards 
achieved in information fair trading. The primary issue highlighted by 
the verification was that the business language The National Archives 
uses needs to be revised to properly reflect its commendable access 
agenda and practices.  
 
22. Based on the team’s assessment, The National Archives has been 
accredited to IFTS and should be re-verified in 2-3 years.  
 
6

 
 
PART TWO: ACTIVITIES CARRIED OUT BY THE VERIFICATION 
TEAM 
Methodology 
23. The underlying purpose of the verification was to establish whether 
the key principles of openness, transparency, fairness, compliance 
and challenge were achieved. Different types of activity, where one 
might expect to see these key outcomes achieved, were examined. 
This approach was based on a matrix model, as shown below, which 
takes each of the outcomes, and shows how work in each of the 
areas of activity demonstrates compliance. 
24. The organisation is divided into a number of key business areas. 
Each of the areas is divided as necessary into areas of verification 
focus. The key business areas, and the areas of verification focus, fall 
under the fol owing headings: 
 
Business Area 
Verification Focus 
Service Offering 
Understanding of licensing/ selling 
information 
Pricing 
Terms and Conditions 
Access 
Access to and re-use of government 
information 
Websites and equivalents 
Internal Processes 
Staff responsibilities and delegations 
Exceptions handling 
Costs and Cost allocation 
Complaints handling 
Standards 
Service standards 
Strategic 
Business objectives and performance 
Management 
indicators 
Management supervision of compliance 
Relationship with  Commitment to IFTS 
HMSO 
External Constraints 
Competition Act 1998 
Financial targets 
Legislation 
 
25. When considering the findings of the verification, a view is formed as 
to whether the organisation was sufficiently meeting the desired 
outcomes of fairness, openness, transparency, compliance and 
challenge. The verification also takes into account whether the 
organisation was demonstrating a genuine commitment to 
strengthening the Chief Executive’s commitment and making 
substantial progress towards that goal. 
 
 
 
 
 
  

 

 
 
Activities Undertaken 
26. The  verification  team: 
o  examined key policy and practice documentation; 
o  interviewed staff members within the organisation; 
o  reviewed licensing files; 
o  reviewed the website; 
o  reviewed the standard licence; and 
o  reviewed the complaints process. 
 
These activities are described in more detail below. 
 
Documentation review 
27. The organisation provided documentation in support of the Chief 
Executive’s commitment which was reviewed by the team, prior to the 
onsite verification. 
People and Practices 
28. In order to see how people in the organisation work and how their 
work is impacted by the Information Fair Trader commitment, the 
team interviewed a range of staff of all levels who are involved in the 
policy or practice of providing information.  
Licence File Review 
29. A sample review of customer files, covering both government and 
commercial re-users was carried out. 
Website review 
30. A review of the organisation’s website was made from the viewpoint 
of a potential re-user of information to assess how easy it was to use. 
This was carried out by someone who was not part of the on-site 
team in order to achieve some objectivity. A more subjective review 
of the website also took place, based on what the verification team 
knew of the organisation. 
Licence review 
31. The terms and conditions of the standard licences were reviewed. 
Complaints process 
32. 
The customer complaints process was examined by the team. 
Consideration of the organisation’s complaints process, both policy 
and practice, indicates how committed an organisation is to meeting 
customer needs. 
Assistance provided by The National Archives 
 
33. The team appreciate the co-operation and assistance of The National 
Archives licensing staff.   
 
 
 
 
 
  

 

 
 
PART THREE: HIGHLIGHTS AND AREAS FOR IMPROVEMENT 
Openness  
34. The National Archives meets the principle of openness with several 
examples of good licensing practice.  The three recommendations for 
this principle cover minor rewording of documentation to further 
increase openness.  
 
“In principle, the Chief Executive expects that all information created by 
the organisation will be licensed for any use, by any customer. While there 
might have to be exceptions to this, whether limiting the material licensed, 
prohibiting uses or limiting the customer base, the Chief Executive will be 
reluctant to allow exceptions and will explain why they are necessary.” 
 
Information Asset Register (IAR) 
 
35. The National Archives holds a vast extent and scope of archived 
records. It has therefore developed several central registers or online 
catalogues cumulatively known as the National Register of Archives, 
which allows users to identify and request information. Users can 
search online or onsite and are provided with user guides and 
assistance from staff.  
 
36. It is standard practice for central government and trading funds to 
have an Information Asset Register (IAR).  However, in view of the 
enormity of The National Archives’ information holdings, taken in 
consideration with the level of detail and ease of use already provided 
by  the  information navigation resources and tools, it is accepted that 
the IFTS criteria for openness to re-use has been met in this 
instance.  
 
37. It is therefore unnecessary at this stage for The National Archives to 
develop an IAR as the existing catalogues are of sufficient quality.   
 
Access to Information 
 
 
38. The National Archives’ Licensed Internet Associate (LIA) digitisation 
process is an impressive exercise in making a vast amount of 
material available for potential re-use.  It is a cost effective scheme 
which recognises that resources would not be available for The 
National Archives to digitise this volume of material at the pace at 
which it is being done, without the involvement of a private sector 
partner.    The process is tendered fairly which results in the 
digitisation source material being available to all customers after 6 
months have elapsed. The LIA digitisation project accounts for 90% 
of income generated by the licensing activity of The National 
Archives.   
 
 
 
 
 
  

 

 
 
 
Licensing exceptions 
 
39. The National Archives has eight licensing exceptions currently listed 
on the website.  It is recommended that the exception to refuse 
licence applicants who are currently or previously have been in 
dispute with The National Archives, be removed.
    OPSI 
encourage all forms of feedback and this exception is considered 
both restrictive and unfair. 
 
40. It is also recommended that the following exception be reworded 
to reflect the actual circumstances these describe: 
We may refuse to grant certain applications if your request to reproduce The National 
Archives material falls outside our standard non-exclusive licensing terms and conditions. 
If we reject your application, we will explain why, try to offer another solution and work 
with you to revise your application if appropriate. We will refuse a licence if you apply to 
become a National Archives licensed Internet Associate (LIA) but fail to meet The 
National Archives LIA programme selection criteria. “ 

 
41. The above exception relates to the legal terms and conditions, not the 
proposed re-use terms and conditions.  The National Archives 
welcomes new proposals for re-use.   Also it is encouraged that the 
second part of this exception relating to LIAs be reviewed to become 
an exception in its own right. 
 
Fairness 
 
42. The LIA programme is an example of good practice for the principle 
of fairness, and The National Archives is commended for the equal 
treatment of its users.  The National Archives meets the principle of 
fairness and receive no formal recommendations for fairness.   
 
“All applicants and licensees should be treated alike for the same type of 
licence. The organisation should not use its market power to compete 
unfairly.” 
 
 
LIA process 
 
 
43. For the LIA programme, three contracts are awarded per year, with 
the total bidding process for each taking approximately four months.  
The dataset of records to be digitised are selected on the basis of 
usage.  The National Archives advertises the potential datasets on 
the website and contacts all digitising companies that have expressed 
an interest in LIAs.  The application form sets out objective technical 
criteria for selection, which are quantitatively measured to optimise 
 
 
 
 
 
  
10 
 

 
 
fairness. Applicants are given support in this process from The 
National Archives, with unsuccessful bidders receiving feedback to 
aid any further application.   
 
44. The  LIA  application  criteria  includes reference to the potential 
partner’s reputation.  The LIA contract is delivered with use of The 
National Archives branding and access through links from The 
National Archives website, meaning this criteria relates to any 
potential reputational risk to The National Archives rather than the 
market status of the applicant.  The 1911 census digitisation contract 
was awarded to Scotland Online, a relatively young company, 
demonstrating this has no bearing on the fair treatment of new market 
players.   
 
 
LIA competitors 

 
45. The National Archives has contact with the LIA partner throughout the 
digitisation process, when the partner has exclusive access to the on-
site records, and fol owing completion when access to the digitised 
records is then non-exclusive.  The verification team looked into the 
relationship between The National Archives and the LIA digitising 
partners, with possible regard to unfair advantage over LIA 
competitors post digitisation.  The team found ful  and fair access for 
online competitors of the non–exclusive LIA licensees once 
digitisation was complete, with no unfair commercial advantage to 
partners. 
  
 
Transparency 
 
46. 
The National Archives receives five recommendations for the 
principle of Transparency. This reflects the need for a move away 
from a commercial business language to one of re-use in order to be 
better aligned with this principle.  The National Archives meets the 
criteria for transparency and these recommendations will increase 
this further. 
 
“Applying for a licence, not only the process, but prices, the considerations 
influencing price policy, and any exceptions to the principle of openness, 
should be explained clearly and simply in accessible public statements. 
Licensees and applicants for licences should be given reasons for 
decisions and the reasons should be consistent with public statements and 
Information Fair Trader principles.” 
 
 
 
 

 
 
 
 
 
  
11 
 

 
 
 
Licence review 

 
47. The licence review analysed licence templates used by The National 
Archives and appears in appendix two of this report.  It is 
recommended that The National Archives acts on the points 
raised in this licence review. 

 
48. The review concluded there was no discrimination between the 
different user groups and no restrictive terms, however some minor 
drafting issues were identified which could act as a barrier to 
openness and transparency.  
 
In summary these are: 
 
49.  OPSI is aware that these are legal documents intended, in most 
cases, for a legal audience however it is recommended that where 
possible there is a reduction in arcane legal phrasing
.  This 
would both modernise and streamline the licensing documentation 
and align with The National Archives ‘Plain English’ ethos for which it 
has received an award for best practice. 
 
50. This would also indirectly improve the clarity of the specific licence 
terms drawn attention to in the licence review.  It is recommended 
that the clauses highlighted are reviewed, to encourage greater 
readability
 and understanding.  
 
51. There were several drafting points that were highlighted by the review 
which once rectified would add to the transparency of the licences.  
These are: 
 
o  to ensure all clauses are correctly cross referenced; 
o  all defined terms are correctly defined and standardised;  
o  removal of any Americanised spellings; and  
o  rewording of some clause headings.  
 
 

Use of Commercial language 
 
52. The language used by the licensing team does not reflect the actual 
access policy it champions and licensing activities it practises.   
 
53. Currently the commercial language used by the licensing team, such 
as ‘negotiate deals’ and ‘competing in the open market’ gives the 
impression of being at odds with IFTS principles.  However the 
verification team found this to be a business language issue rather 
than a business practice issue, as demonstrated by the examples of 
good practice, in particular for the LIA programme.  
 
 
 
 
 
 
  
12 
 

 
 
54. To mirror actual practice, it is recommended that The National 
Archives use language which actually reflects the work being 
done.
 This should be adopted at every level of the organisation to 
reflect The National Archives’ status as a newly accredited IFTS 
member.    
 
Timing of licensing process 
 
55. The National Archives publishes its service standards on the website 
and delivers a measurable high level of customer service and 
satisfaction. Continuing this good practice, it is recommended that 
The National Archives adopt Key Performance Indicators (KPIs) 
for the licensing process. 
While the licensing team already provide 
a timetable of the process for potential LIA applicants, adopting KPIs 
would further increase the transparency of the process for users and 
demonstrate the high level of service being offered.   
 
 
Image Library 

 
56. The Image library licenses the use of images held by the National 
Archives for use in the media industry, covering broadcasting, print 
and digital channels.   Licensing terms and prices vary for the image 
library depending on the size of the image requested; numbers of 
images ordered and intended global audience.   
 
57. OPSI would encourage The National Archives to be more transparent 
about this process and the pricing methods used by the image library, 
particularly with multiple image requests. This information is not 
currently on the website although a standardised method is used 
based on industry benchmarks.   
 
58. A full price list for these bulk orders is currently being finalised and is 
intended to be incorporated into the image library web-page as an 
interactive tool for re-users, to calculate their individual prices online.  
This proposal would greatly increase the transparency of the pricing 
methods and the anticipated user-centric format will speed up the 
process for both parties.   
 
59.     It is recommended that The National Archives incorporate the 
intended price list calculation tool into the image library web 
page with an accompanying statement to the effect that users 
of the same material for the same purposes will be treated in 
the same way.  
This will reflect the standardised and quantitative 
methods that are in use within the organisation, but not publicly 
advertised. 
 
 

 
 

 
 
 
 
 
  
13 
 

 
 
Financial model 
 
60. OPSI are aware that The National Archives is currently implementing 
a major change to the organisational financial regime, from a 
traditional charging model to a notional cross-charging model.  While 
this will lead to greater financial transparency and introduce a ‘real 
time’ financial picture, there is a lack of clarity in the current model.  
OPSI will monitor this at re-verification in 2010-11. 
 
 
Website review 

 
61. OPSI found The National Archives website to be implicitly compliant 
with IFTS, but would like to see more explicit references to IFTS 
principles and practices.  This would also promote the status of newly 
accredited IFTS member to its users.  The website review can be 
found in appendix three of this report.   
 
62. It is recommended that the licensing web page is revised to 
include reference to all IFTS principles and the Chief Executive’s 
commitment to the scheme
.   The licensing team are encouraged to 
regularly update and monitor the website.  
 
Compliance 
 
63. The National Archives has met the principle of compliance with no 
major barriers to IFTS accreditation.  The National Archives receives 
two recommendations for this principle.   
 
“Chief Executives agree to test their organisations by an independent 
verification to find out whether they have the infrastructure to deliver their 
commitments to openness, transparency and fairness. The verification 
tests whether the administrative processes are actually fol owed in 
practice.” 
 
 
Training 

64. It was noted on the verification that there is no formal licensing 
training for the licensing team.  Tying in with this, there is also a lack 
of formal staff guidance material on licensing and other commercial 
policy issues.  It is recommended that The National Archives 
develop formal licensing staff training materials, internal 
guidance and policy documents.  
 This will ensure a standardised 
approach and that all staff are ful y aware of their IFTS obligations.  In 
particular, there is a need for formal staff guidance on the 
Competition Act in line with the IFTS commitment.    OPSI would also 
 
 
 
 
 
  
14 
 

 
 
encourage greater incorporation of OPSI guidance on re-use of 
Public Sector Information to maximise this.   
 
65. It is recommended that IFTS principles are incorporated into the 
licensing team business plan, highlighting that meeting the IFTS 
commitment is a strategic objective.
  This will ensure the 
procedures to support the delivery of ongoing responsibilities under 
IFTS are in place.  To strengthen this, OPSI would also like to see the 
personal objectives of licensing staff to include reference to open, fair 
and transparent working practice. 
 
 
Licensing file review 
 
66. 
The licensing file review investigated The National Archives’ 
electronic licensing records and found no evidence contrary to IFTS 
principles.  The National Archives has a high standard of information 
management, with a complex but easily navigable system. 
 
 
 
However,  some examples of out of date licences were discovered 
during the verification, which could be removed, those being: 
 
o  2002 Image library ‘licence agreement’; 
o  2002 CD ROM ‘agreement’; 
o  Public Record Office ‘framework agreement for the provision of 
contract services’  (photographic licence); 
o  Untitled non-exclusive licence for image library products (12 pages); 
o  internal price guide of image library for marketing purposes. 
 
 
Challenge 
 
67. The National Archives meets the principle of challenge with one 
recommendation to further improve the robust complaints process 
already in place. 
 
“The organisation has a complaints process empowered to reconsider 
incorrect licensing decisions. OPSI can investigate the organisation's 
licensing decisions if they appear to be wrong.”  
 
 
Licensing complaints 
 
68. The licensing complaints process is a channel of The National 
Archives’ overall complaints procedure. There have been no formal 
complaints raised for The National Archives licensing activity to date.   
 
69. As part of the ongoing IFTS responsibilities The National Archives 
should ensure that users are aware that there is a separate 
 
 
 
 
 
  
15 
 

 
 
complaints route under IFTS.  It is recommended that The National 
Archives explain clearly and unambiguously that complainants 
should complain to The National Archives licensing team in the 
first instance, after which an independent complaints route is 
available under IFTS. 

 
 
70. The National Archives actively seeks feedback from its licensees to 
review and develop the licensing process as part of an ongoing 
consultation programme. This is commended as an example of good 
practice.  OPSI would also encourage the National Archives to seek 
feedback from licensees on maximising the re-use of the information 
licensed to add to the mutual benefit of this existing initiative.   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
16 
 

 
 
APPENDIX ONE: SUMMARY OF RECOMMENDED ACTIONS 
 
This is a summary of the ten recommended action to: 
 
•  remedy the weakness identified; and, 
•  strengthen the commitment to Information Fair Trading. 
 
 
Principle  Ref  Recommendation 
Priority
39  Remove the exception to refuse licence applicants  High 
 
who are currently or previously have been in  
 
dispute with The National Archives 
 
 
 
 
40  Reword the exception that applications may be  High 
refused if they fall outside The National Archives   
e
s
s
 
n
n
standard terms and conditions, in order to reflect   
p
e
the actual circumstances these describe 
 
   O
 
    
46  Act on the points raised in the licence review in  Med 
 
order to bring the documents further in line with 
 
  
 
   
IFTS and the commitment to the scheme 
 
  
 
   
 
53   Adopt the language of re-use to reflect the culture  Med 
of access and reuse championed 
 

54  Adopt  Key Performance Indicators  (KPIs) 
Med 
for the  licensing process 
55  Incorporate the intended price list calculation tool  High 
into the image library web page with an 
y
 
accompanying statement to the effect that users of 
r
enc
the same material for the same purposes will be 
treated in the same way 

n
s
p
a
 
 
Tra
58  Revise  the licensing web page to include reference  High 
   
to all IFTS principles including the Chief 
 
   
Executive’s commitment to the scheme 
 
  
 
   
 
59  Develop formal licensing staff training materials,  Med 
 
e
internal guidance and policy documents, 
particularly for the Competition Act   
 
o
mplianc
60  Incorporate IFTS principle into the licensing team  Med 
 
C
   
business plan, highlighting that meeting the IFTS   
 
   
commitment is a strategic objective  
 
   
 
   
 
 
 
 
 
  
17 
 

 
 
 
 
 
62  Explain clearly and unambiguously that the users  High 

should complain to The National Archives licensing 
ng
e
team in the first instance, after which an 
hall
independent complaints route is available under 
C
IFTS 
 
   
   
 
 
   
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
18 
 

 
 
APPENDIX TWO:  LICENCE REVIEW 
THE NATIONAL ARCHIVES STANDARD LICENCE REVIEW 1 
 
Date of Review: 14th January 2008 
 
Title: Digitisation & Licence Agreement (Boilerplate LIA Distribution 
 

License Feb06.clean doc) 
 
Evaluation Criteria 

 
1. 
Clarity of licence terms 
 
Check for clarity of language, jargon, legalistic language, plain 
English 
 
a) 
Some of the licence terms are in plain English while others are written 
in more legalistic/formal language.  The licence terms could be simplified by 
removing some of the superfluous wording. For example, in Clause 1 
(Definitions) the use of the words “more particularly” in the definition of “the 
Licensed Material” could be deleted. The definitions of “Associate”, “Group”, 
“Holding Company” and Subsidiary are also legalistic and could lead to 
confusion where they feature in the licence terms.  Other wording which could 
be deleted includes “hereby” in the second line of clause 2.1; “thereof” in 2.4; 
and “hereto” in 5.1.1. 
 
b) 
The Recital would be enhanced by including background on the role 
and the responsibilities of The National Archives/The Public Record 
Office/The Historic Manuscripts Commission and how they relate to the 
Material which is covered by the licence.  Clause 2.4 specifically prohibits the 
Publisher from using those names, and any related logos, except in context of 
the acknowledgement set out on Schedule 1.  
 
c) 
The licence document covers two distinct activities and this could be 
made clearer in the arrangement of the clauses. 
  
1) It gives the Publisher the right to create a digital version of records 
and documents held at The National Archives (the Material). Copies of 
some records/documents will be supplied to the Publisher and wil  be 
subject to the payment of an appropriate fee.  Where The National 
Archives is not able to supply copies of the records/documents the 
licence sets out the arrangements for making available the actual 
records/documents to an Approved Location for digitisation.  Clause 4 
has some alternative sub-clauses to cover this arrangement.   
 
2) It also gives the Publisher the right to make the digitised version of 
records/documents (Digitised Licensed Material) available to users as 
online services via the Internet.   
 
 
 
 
 
 
  
19 
 

 
 
d) 
The wordiness of Clause 1 (Definitions) could be reduced by deleting 
“the” from the start of the definitions.  One possible way of improving the 
layout and readability would be for the words/expressions to be set out on the 
left side of the page and each of the meanings inset across the page as 
hanging paragraphs.   
 
 
2. 

Comprehensiveness of licence terms 
 
Are there any significant omissions? Does the licence contain 
terms that you would not expect to find in a licence? 
 
a) 
There are definitions for “Rights”, “Intellectual Property Rights” and 
“Licensed Material” but not one for Crown copyright.  This would need to link 
to those other definitions to ensure clarity.  Schedule 1 (Acknowledgement) 
requires the Publisher to include an acknowledgement of Crown copyright, 
meaning this term must be defined. 
 
b) 
Clause 2 is headed “Grant of Rights; Reversion of Rights” however the 
sub-clauses under this heading do not cover the reversion of rights!  Sub-
clause 2.4 relates to the assignment of the Intellectual Property Rights in the 
Digital version of the records from the Publisher to The National 
Archives/Crown.  This needs to be clarified. 
 
c) 
Clause 7 is headed “Confidential Information”, this term is used in the 
sub-clauses under this heading but it is not included among the definitions.  It 
is not clear what is regarded as Confidential Information.  The abbreviation 
FOIA is used in sub-clause 7.2 rather than the full title Freedom of Information 
Act.  It is not clear what the link is to clause 13.  The Act is also mentioned in 
sub-clause 4.5.  Any defined or abbreviated terms must be correctly 
described.   
 
 
3. Fairness 
 
Does the licence contain terms that are unfair or unnecessarily 
discriminate between different user groups? 
 
a) 
The licence does not include terms that seem to discriminate between 
different user groups.  
 
b) 
Sub-clause 5.2 sets out the requirements that should be set for the 
users of the Digitised Licensed Material.  It is not clear what is considered to 
be “research, private study and education”, for example the meaning of a 
“professional research result”. Schedule 1 includes wording for an 
acknowledgement that relates to the provisions of Clause 5.2.  
 
 
 
 
 
 
  
20 
 

 
 
c) 
It is not clear how The National Archives decide the level of the 
advance at 6.11. This could be clearer that a consistent approach is adopted 
by The National Archives staff when setting the level of the advance payment.    
 
d) 
The National Archives sends out invoices for the fees that relate to the 
provision of copies of the Licensed Material.  There is a requirement to pay 
the invoice within 15 business days (Sub-clause 4.4).  The National Archives 
does seem to issue invoices for the royalties or the advance (Clause 6) but 
under clause 9.1.2 the Licensor is able to terminate “if the Publisher shall fail 
to pay any sum due to the Licensor within 30 Business Days of the due date”.  
This could be made explicit.   
 
 
4. Consistency 
 
Does the licence contain any terms which are inconsistent and 
contradictory? 
 
a) 
Some of the sub-clauses contain words and expressions which have 
initial capitals and are therefore significant but have not been included in 
Clause 1 (Definitions).  These include: “Authorised Contractor” (sub-clause 
8.3.3) and Defaults (sub-clause 8.5.  The abbreviation The National Archives 
is used in sub-clause 4.5 rather the Licensor.   Terminology should be 
standardised.   
 
b) 
Sub-clause 12.1 refers to clauses 12.2 and 12.3; they are not included 
in the agreement.  . Sub-clause 10.1.1 refers to a clause 2.9, and there 
appears to be no clause 2.9.  This should be rectified for consistency. 
 
c) 
In relation to sub clause 12.1, The National Archives should not and 
cannot assign any rights belonging to the Crown and this should be made 
clear.   
 
d) 
Sub-clauses 4.4 and 4.5 refer to “the Statutory Instrument rate 
prevailing at the time”.  There are hundreds of different Statutory Instruments 
in force.  The licence should make clear that the fees are calculated with 
reference to the current version of the Public Record Office (Fees) 
Regulations 2005.   
 
 
5. Practical 
Arrangements 
 
Is it clear what the process is for making payments, amending 
terms for example? 
 
a) 
There are three types of payment due under this licence:  
1) 
for the supply of copies of the documents (sub clause 4.4) 
2) 
a royalty (6.1) and, 
3) 
an advance on royalties (6.11) 
 
 
 
 
 
  
21 
 

 
 
 
For clarity The National Archives could consider putting all the payment 
details in one clause. 
 
b) 
It is not made clear in the licence terms if the Publisher can deduct the 
advance from the first royalty payment.  
 
c) 
Clause 10 covers Effect of Termination.  Sub-clause 10.3 seems to 
al ow the Licence Material to be made available to the End-Users for “a 
maximum period of twelve months” after termination.   This should also be 
qualified for instances when the Publisher is declared insolvent or has 
committed a material breach.   
 
 
6. 
Restrictiveness of terms 
 
Are any of the terms unnecessarily restrictive? 
 
a) 
The payment of an advance could be seen as being restrictive if the 
level of the advance is set at too high a rate.  Including a reference to the fair 
pricing method would clarify this.   
 
 

7. Additional 
Comments 
 
a) 
Clause 8 sets out the Warranties and Limitation of Liability.  The sub-
clauses which set out the warranties and the limitation of liability are extensive 
and written in legalistic language.  Many of the sub-clauses cover limitation of 
liability and relate to the making of the digitised versions of the Licensed 
Material.    We would make the fol owing general comments: 
 
1.  The National Archives staff do need to make sure that The National 
Archives does have right to license all the rights set out in each 
individual licence agreement. 
 
2.  If The National Archives staff that are making licence agreements have 
any doubts about the copyright status of any the material to be covered 
they should seek the views of the Information Policy consultant 
copyright expert at The National Archives. 
 
3.  The wording of sub-clause 8.3.5 should be reviewed.  It appears to be 
saying that the Publisher should not include any “obscene, illegal, 
blasphemous or defamatory” material in any of its online services but 
that The National Archives are allowing the Publisher the right to scan 
any obscene, illegal, blasphemous or defamatory material which is 
included in the Licensed Material and can make it available to others 
via the online services.  This needs to be unambiguous.   
 
 
 
 
 
  
22 
 

 
 
THE NATIONAL ARCHIVES STANDARD LICENCE REVIEW 2 
 
Date of Review: 14th January 2008 
 
Title: Licence Agreement (online.onlytemplate.doc) 

 
 
Note:  The Licence Agreement follows the format of the Digitisation & Licence 
(D & L) Agreement which has been subject to separate review (review 1).  
This version contains most of the same clauses as the D & L Agreement but 
some of the wording is different.  This review will not comment on points that 
have already been made in the review of the D & L Agreement, which can 
also be applied here.   
 
Evaluation Criteria 
 
 
1. 

Clarity of licence terms 
 
Check for clarity of language, jargon, legalistic language, plain 
English 
 
a) 
The wording of (A) in the Recital is different, in that it refers to 
“Licensed Material”. 
 
b) 
The rights that are being granted need to be clarified (see comments at 
4 (f) below.  
 
2. 

Comprehensiveness of licence terms 
 
Are there any significant omissions? Does the licence contain 
terms that you would not expect to find in a licence? 
 
a) 
See comments at 2 (a) and 2 (b) of the D & L Agreement (review 1).  
There is a significant difference in the wording of sub-clause 2.4 of this licence 
compared with that in 2.5 of the D&L Agreement.  In this licence agreement 
the Intellectual Property Rights (IPR) in the Digitised Licensed Material (not 
defined) vest in The National Archives (the Licensor) who will assign them to 
the Publisher.  This is the opposite of what happens under the D & L 
Agreement where the Publisher is assigning the IPR to The National 
Archives/Crown.  That seems the correct approach.  
 
b) 
Clause 7 of this licence agreement only contains two sub-clauses 
unlike the D & L Agreement which includes 9 main sub-clauses which include 
their own additional sub-clauses.  The wording here is quite succinct 
compared with the D & L licence agreement which is very legalistic and goes 
into great detail about the confidential information.  Sub-clause 7.2 refers to 
The National Archives rather than to the Licensor and should be standardised.   
 
 
 
 
 
  
23 
 

 
 
 
3. Fairness 
 
Does the licence contain terms that are unfair or unnecessarily 
discriminate between different user groups? 
 
a) 
This licence contains a sub-clause 2.2 which is not included in the D & 
L Agreement.   The National Archives have the right to terminate the licence 
agreement if the Publisher does not make the Online Service available within 
6 months of a request from The National Archives to do so.  
 
b) 
Both licence agreements are granted for an initial period of 10 years. 
This agreement differs from the D & L Agreement in that it can been extended 
for further periods of 10 years, while the D & L Agreement is only extendable 
for periods of 5 years.  It is not clear why the periods for extension are 
different, which could be clarified.   
 
4. Consistency 
 
Does the licence contain any terms which are inconsistent and 
contradictory? 
 
a) 
The definition of “Account Period” in Clause 1 (Definitions) ends with 
the words “commencing with the period ending 30 June 2003” whilst the D & L 
Agreement ends “commencing with the first such period or part period ending 
after the Effective Date”. The 2003 date needs to be amended.   
 
b) 
This licence has a different definition for “Associate”. 
 
c) 
This licence includes a definition for “Companies Act” which is not 
included in the other version.  The definitions for “Group” and “Holding 
Company” are not included.  Again any significant terms need to be defined.   
 
d) 
Sub-clause 2.4 and 2.5 refer to “Digitised Licensed Material” but there 
is no definition for this and the term is not used in the rest of licence, this 
should be defined or explained.   
 
e) 
The definitions for “the Pay-Per-View Service” and the Publisher’s 
Online Service” and “the Subscription Services” contain different wording.  
 
f)  
The definition of Rights is different here and contains a reference to 
sub-clause 12.2 (Clause 12 General) about sub-licensing.  The other licence 
includes a separate Clause 12 Assignment & Sublicensing but is not cross 
referred to the Definitions.  There rights in the Definition are set out at (i) to (iii) 
and at (i) to (vi).    
 
g) 
Sub-clause 2.8 of this licence differs from sub-clause of 2.4 of the D & 
L Agreement in that it does not refer to “the Historic Manuscripts 
Commission”. 
 
 
 
 
 
  
24 
 

 
 
 
h) 
Sub-clause 6.7 includes a reference to “the Licensee”, this term is not 
used in the licence, for consistency it should be “the Publisher”. Sub-clause 
10.1.2 includes the term “the Publisher’s Products” which is not included 
among the agreed definitions at Clause 1. 
 
5. Practical 
Arrangements 
 
Is it clear what the process is for making payments, amending 
terms for example? 
 
a) 
Sub-clause 4.1 makes clear that the Publisher has to purchase copies 
of the Licensed Material from The National Archives and that the Publisher 
will not be given any access to the original documents and records.  As 
commented in the review of the D & L Agreement the document needs to 
refer to the Public Record Office (Fees) Regulations rather than “the 
appropriate Statutory Instrument”.  Statutory Instrument could be included as 
a defined term in the definitions clause.   
 
b) 
Three types of payment are also required under this licence 
agreement: (supply of copies (sub-clause 4.5/4.6), royalty (sub-clause 6.1) 
and advance (sub-clause 6.10).  Sub-clause 6.1 (ii) of this licence does not 
set how the method of calculating the royalty for the Subscription Service as 
clearly as the D & L Agreement.  
 
c) 
Sub-clause 5.1.4 requires the Publisher to inform The National 
Archives when it intends to launch the Online Service so that The National 
Archives can approve review/approve the presentation.  There is no timescale 
for this.  The wording of sub-clause 5.1.4 of the D & L Agreement is more 
expansive on this and states that approval shall be “deemed to have been 
given” if The National Archives does not respond “within 5 working days”.   
Similar wording could be used in this licence agreement. 
 
6. 
Restrictiveness of terms 
 
Are any of the terms unnecessarily restrictive? 
 
a) 
This agreement also requires payment of an advance.  Again this could 
be seen as restrictive if the rate is set too high and this could be expanded.   
 
7. Additional 
Comments 
 
a) 
Unlike the D & L Agreement this licence does not contain an extensive 
range of sub-clauses under the Warranties and Limitation of Liability clause 
heading.  This licence agreement only has a Clause 7 headed “The Licensor’s 
Warranty” as the Publisher is not being given access to the actual 
records/documents for scanning.  The National Archives staff should ensure 
that The National Archives has the right to license all the material and they 
should check with the Information Policy consultant copyright expert for any 
doubts about the copyright status of the material being licensed. 
 
 
 
 
 
  
25 
 

 
 
THE NATIONAL ARCHIVES STANDARD LICENCE REVIEW 3 
 
Date of Review:  15th January 2008 
 
Title: Shortform image license.boilerplate.doc 

 
Note.
  This licence is set out in a different format to the other licence 
agreements, as a letter with an extensive range of terms and conditions.  
 
Evaluation Criteria 
 
 
1. 

Clarity of licence terms 
 
Check for clarity of language, jargon, legalistic language, plain 
English 
 
a) 
This document would be improved by setting it out as a licence 
agreement rather than as a letter.  Setting out what are the definitions and 
what are the terms and conditions, as numbered clauses, would provide 
greater clarity and a more logical structure.  The numbered clauses could then 
easily be referred to.  Having the date of the licence agreement at the top of 
the page and a section setting out who are the parties to the Agreement and 
including some appropriate background information about each of the parties 
would also provide clarity. 
 
b) 
The wording seems to have been put together from a number of 
different sources and as a result some of it is in plain English and some in 
more legalistic language, which lacks clarity and cohesion.   
 
2. 
Comprehensiveness of licence terms 
 
Are there any significant omissions? Does the licence contain 
terms that you would not expect to find in a licence? 
 
a) 
There do not seem to be any significant omissions but given the way 
the document is set out it is not easy to see them. 
 
b) 
Paragraph (b) of the Approvals section takes the form of a warranty.  
There is no link to the actual Warranties section.  Section (c) there relates to 
warranty made by the Licensee. 
 
 
3. Fairness 
 
Does the licence contain terms that are unfair or unnecessarily 
discriminate between different user groups?
 
 
 
 
 
 
 
  
26 
 

 
 
a) 
The licence is granted for a period of 2 years (Term section) and can 
be “renewed for a further two (2) periods of twelve (12) months, subject to the 
prior written approval of The National Archives”.  The other The National 
Archives licences reviewed are granted for Ionger periods and can also be 
extended for longer periods and such reasons could be explained.   
 
b) 
The Licensee is required to pay a royalty to The National Archives.  
Part 3 of Schedule 1 to the licence does not state what the royalty rate is.  
Whether The National Archives publish a standard royalty rate for this type of 
licence or whether the royalty is decided on a case by case other basis is not 
clear.  The other licences state a royalty rate of 7%. 
 
c) 
Section (b) of the Samples & Stock section allows The National 
Archives to request that the Licensee supplies copies of the Product to The 
National Archives at the “best trade discount available” for “sale in its retail 
outlets”.  The wording needs to make clear that the Licensee does not have to 
pay a royalty to The National Archives on the products sold to The National 
Archives and that The National Archives apply this condition consistently.   
 
 
4. Consistency 
 
Does the licence contain any terms which are inconsistent and 
contradictory? 
 
a) 
Some sections of this document use the American spelling of “License” 
rather than using the English spel ing for the noun “Licence”.  
 
b) 
Some sections of the licence refer to The National Archives and others 
to the Licensor.  There is also reference to Licensee in the Approvals section 
but in the rest of the Agreement [ ] is used. This would suggest that the name 
of the licensee is inserted on an actual licence and needs to be standardised.    
 
c) 
The term “the Property” is used with an initial capital in the section 
headed “3rd Party Proceedings” but is not defined or used in other sections of 
the document.  “Third” should be used rather than “3rd”. 
 
d) 
The Acknowledgement section requires the Licensee to include the 
acknowledgement specified at clause 2 on “the Website”, there does not 
seem to be a requirement to include an acknowledgement on the Product, 
any packaging or accompanying documentation, which could be inconsistent.  
This should also be made unambiguous for Crown copyright material.   
 
 
5. Practical 
Arrangements 
 
Is it clear what the process is for making payments, amending 
terms for example? 
 
 
 
 
 
 
  
27 
 

 
 
a) 
The licence is for the reproduction of material selected from The 
National Archives files as part of a Product.  It seems applicable for the use of 
an image on, for example, a poster or some other form of gift item but it is not 
clear from this boiler plate licence.  The product could be more explicitly 
defined.   
 
b) 
Before manufacturing the Product the Licensee needs to obtain written 
approval from The National Archives (Approvals section).  It is not made clear 
where in The National Archives the samples should be sent and what would 
be the turn around time for getting The National Archives approval/rejection of 
samples, advertising etc.  This should be stated to demonstrate fair treatment 
of users.   
 
c) 
The wording of the Termination section could be clarified.  It gives The 
National Archives the right to terminate the licence but there is no provision in 
this section for the Licensee to terminate the licence.  It does not make clear 
what the arrangements are for the payment of royalties up until the date of the 
termination of the licence.  In addition it is not clear what will happen to the 
remaining stock of the Product.   The section refers to the delivery of “al  
copies of the Material to The National Archives free of charge and provide a 
certificate of erasure identifying the Digitised Material in a form satisfactory to 
The National Archives.”  The term Digitised Material is not defined or used 
anywhere else in the licence.   
 
d) 
The wording of the Assignment section should be clarified.  It is not as 
clear as that used in the other licence agreements.  
 
6. 

Restrictiveness of terms 
 
Are any of the terms unnecessarily restrictive? 
 
a) 
The Approvals clause indicates that The National Archives shall be 
“entitled to issue reasonable directions (having regard to the proposed selling 
price)”.  This could be seen as being restrictive and there could be 
disagreement as to what are “reasonable directions”.  This could be clarified.   
 
b) 
The licence includes a section headed “Restrictions”.  These seem 
reasonable but it would be better to refer to them as Licensee obligations 
rather than restrictions.   
 
 
 
 
 
 
 
 
 
 
 
  
28 
 

 
 
 
APPENDIX THREE: WEBSITE REVIEW 
 
Website address:     

 www.nationalarchives.gov.uk 
 
Date of review: 

 
19th November 2007 
Score:     192 
 
The following questions were considered: 
 
1.1 
Does the website have an Information Asset Register?  No. 
However, does offer users a register of National Archives 
documents (the National Register of Archives) at 
http://www.nationalarchives.gov.uk/nra/default.asp. 

 
1.2 
If yes, how many clicks is it from the homepage? NRA is 1 click. 
 
1.3 
How long did it take to find? <1 minute 
 
1.4  If there is no IAR, is there other guidance on what information is 
available?  
 
Some other search facilities on offer on front page. 
 
2.1 
Does the PSB use standard licences? Yes 
 
www.nationalarchives.gov.uk/business/licensing.htm 
 
2.2 
Are these published in full on the website? No, but application forms 
viewable. 

 
2.3  If yes, how many clicks are they from the homepage? 2 (via A-Z 
 index) 
 
2.4 
How long does it take to find? Less than 1 minute 
 
2.5 
How many standard licences are there? 
 
2.6 
Is there an explanation of what different licences are for and is it clearly 
understood?  
Yes, although the sections on the ‘Licensing’ page of the website 
are short and there are no copies of the overall terms and 
conditions of the licences. 

 
3.1 
Is there any charge made for licences?  
Yes, although website offers only some estimates as to the value 
of any licensing arrangements 

 
3.2 
Is there an explanation of the charges? Yes, albeit brief 
 
 
 
 
 
 
  
29 
 

 
 
3.3 
Is there an explanation of how charges are drawn up? Yes, although 
again generalised. 

 
 
4.1 
Is there an IFTS commitment on the website? Not applicable; website 
does refer to IFTS scheme, but no direct explicit pledge for The 
National Archives to join. 

 
4.2 
How many clicks is it from the homepage? 
 
4.3 
How long does it take to find? Less than 1 minute 
 
 http://www.nationalarchives.gov.uk/services/opsi.htm. 
 
5.1 
Is there clear and precise information on how to apply for a re-use 
licence? Yes, although not referred to as ‘re-use licences’ 
 
www.nationalarchives.gov.uk/business/licensing.htm. 
 
5.2  Are there a variety of methods for applying for licences? No, one 
standard email address 
 
5.3 
Is it possible to apply online for a licence? Yes 
 
www.nationalarchives.gov.uk/business/internet.htm. 
 
5.4 
Does it specify a timescale to grant licences? No 
 
5.5 
If yes, what is that timescale (in working days)? Not applicable 
 
 
6.1  Does the PSB have a procedure for complaints regarding licensing 
decisions? Yes: www.nationalarchives.gov.uk/business/rights.htm.  
 
6.2 
How many clicks is it from the homepage? 3 
 
6.3 
How long does it take to find? 1 – 2 minutes 
 
6.4 
Does it mention that if the complainant is unhappy they can refer to 
OPSI or APPSI? Yes 
           http://www.nationalarchives.gov.uk/business/rights.htm. 
 
 
7.1 
Does the website explain what information is not available? Yes    
 
7.2 
If Yes, does it explain why? Yes (e.g. national security, confidential 
legal proceedings) 

 
7.3 
How many items are listed? 
Exceptions listed as genres rather than specific items
 
 
8.1 
Does the website outline any exceptions to normal licensing policy? 
Yes 
 
www.nationalarchives.gov.uk/business/rights.htm. 
 
 
 
 
 
  
30 
 

 
 
 
8.2 
If Yes, does it explain why that exception has been made? Yes 
 
However, some of these contentious. In particular, point 3 
paragraphs 1  
(…the dispute was not resolved to our satisfaction) seems to be 
somewhat at odds with the commitment to accept and investigate 
complaints from potential partners. 

 
8.3 
How many exceptions are there? 
A somewhat high figure, although some areas may be 
understandable given the nature and variety of material 
possessed by The National Archives. 

 
9.1 
Does the website have a Crown Copyright notice? Yes, although no 
overall acknowledgment of Crown Copyright, individual 
documents marked up accordingly 

 
9.2 
Is it linked to from every page? No 
 
9.3 
How many clicks is it from the homepage? N/A 
 
9.4 
How long does it take to find? N/A 
 
9.5 
Is OPSI/HMSO mentioned, with contact details? Not in this context. 
 
10.1  Does the website have an electronic search facility? Yes 
 
10.2  If yes, how many clicks is it from the homepage? 
 
10.3  How long did it take to find? <1 minute 
Present on homepage and all subsequent pages. Very easy to 
use, proved very useful tool. Also has an A-Z index which proved 
highly effective 

 
11.1  Is the material available by electronic means? Yes - some 
 
11.2  Is it possible to download direct from the website? Yes – some 
 
11.3  If data is not available electronically, is there an explanation of how to 
obtain it? Yes, albeit through one email address 
 
11.4  If data is sent via email, is there a specified timescale for delivery? N/A 
 
11.5  If yes, what is the timescale (In working days)? N/A  
Fair range of documents available on website. Also mentions 
email address for some further questions, although no timescales 
available

 
12.1  Does the PSB outline its responsibilities under IFTS on their website?  
Not directly, despite some acknowledgement of IFTS’ existence. 
 
 
 
 
 
  
31 
 

 
 
 
12.2  Does the website explain what IFTS is aiming to achieve? Yes – has 
link to OPSI site. 
 
12.3  Are the benefits of IFTS explained? Not directly, only in generalised 
context 
 
(http://www.nationalarchives.gov.uk/services/opsi.htm
 
12.4  Is the PSB using IFTS logos on their website and actively mentioning 
they are a member of the scheme? Not yet members, but IFTS is 
addressed on website. 

 
13.1  Does the PSB outline its policy towards its trading of PSI? Yes, albeit 
partially 
 
www.nationalarchives.gov.uk/business/licensing.htm. 
 
13.2  Does the PSB explain how it arrives at decisions? Not explicitly, 
barring the section on licensing exemptions 
 
13.3  Does the website have an explanation of what re-use is? Not directly 
 
 
13.4  Does the website explain what Crown Copyright is? No 
 
13.5  Does the website explain why licences are sometimes needed to re-
use information? No 
 
13.6  Does the website explain the difference between FOI and re-use? Yes 
Separate page on the Freedom of Information Act, clear on issues 
here. 

 
13.7  Does the website explain what a trading fund and delegated authority 
is? No  
 
 
Most areas of this website very well designed and clear, easy for 
the user to access a wide range of information with some 
efficiency. Also, the search facilities make it relatively 
straightforward to get hold of all relevant parts of the site. Much to 
be credited here, especially as this organisation has yet to 
become a member of the Information Fair Trader Scheme. 
 
However, some aspects of the website could do with some more 
information or clearer signalling of key issues (e.g. Crown 
copyright). These may well receive some attention once 
accreditation for the IFTS scheme has been granted, given the 
commitments implicit in such an agreement. Should these 
clarifications and further explanations be given on the website, 
then it has the potential to meet all requirements of the scheme 
with some comfort.   

 
 
 
 
 
 
  
32 
 

 
 
 
 
 
 
 
 
 
 
 
 
  
33